10 QUESTIONS: Nancy Richards

Nancy Richards, executive director of Woman Zone, tells us about The Woman’s Library Cape Town which the NGO launched in 2015.

Firstly — why a Women’s Library?

Why not? Women’s Marches, Men’s Clubs… it’s a focus. But it’s more than a Women’s Library: it’s a hub – a meeting, workshopping, sharing space. And just to be clear, at this stage, it’s a reference not a lending library.

How did it come about, and who was involved in getting it up and running?

Working on a woman’s magazine and a woman’s radio show for many years, as a journalist (and founder of Woman Zone), I acquired a huge amount of books relating to women. As a collection and a resource, they cried out for a room of their own. The Woman Zone team – whose goal is to unite the women of Cape Town and celebrate their achievements – looked long and hard for such a space. Eventually, after partnering with Artscape and their Women’s Humanity Festival, CEO Marlene le Roux kindly offered us the cube-shaped office we occupy now, conveniently next to the Box Office on the ground floor of the theatre complex.

How many books are there and where were they sourced from?

We’ve stopped counting, but well over 1000 and the figure rises. So they’ve come from my original original collection, from donations, and authors who have had launches at the Library. Initially we had no shelves – just lots of boxes and a small mobile tin unit, courtesy Qualibooks which held 100 or so volumes, and at the launch guests sat on the floor! When the Cape Town World Design capital team broke up their office space at the end of 2014, they donated us some furniture and Steven Harris of Furnspace donated us book shelves. We’ve since bought more – but still more are needed (if you have any to spare).

What kind of books have been selected and what were the reasons for their selection.

Like many of the best things in life, they were less selected than happened. As mentioned above, they are the fruit of collections and donations. Having said that, there are some we have declined, as you can imagine. What kind of books? Hmm, how do we single any out without showing favouritism? Well, there are books that can help – on law, self-assertion, rape, divorce, cooking etc. Novels that can inspire, transport, delight, reveal, charm, make you understand or angry. A very good selection from most of South Africa’s best known women writers – Antjie Krog, Matshilo Motsei, Rehana Roussow, Ingrid Jonker, Angela Makholwa etc etc – as we speak, the very latest addition is Always Another Country: memoir of exile and home by Sisonke Msimang. International authors are also well represented.  But special are the ones that have been donated by the authors – sometimes self-published. Like Surviving Lavender Hill – a collection of personal stories from the women living there and facilitated by the New World Foundation. And although we don’t have a hard copy, Frances Brown from Atlantis came in recently and brought her Afrikaans science fiction novel on a flash stick, motivational speaker Makini Smith from the US came to launch her book and leave behind copies and  another woman popped in to drop off her sister’s book written in isiXhosa… the list goes on. Modestly, might we add that you can also buy here a copy of our own book, Being a woman in Cape Town: Telling your story (Cover2Cover).

What kind of events are hosted in the space?

Glad you asked that question – because for the last year we’ve been hosting a series of Story Cafés. It’s a blanket term, coined by chief librarian Beryl Eichenberger, to cover book launches, panel discussions, story sharing, informal gatherings, writing and poetry workshops, tributes, book clubs, presentations etc. They’ve been very successful and we look forward to more. Our database and Facebook page keep everyone informed about what’s upcoming and the press have been good about putting out word.

Woman Zone is also working on the Everywoman Project – a collaborative textile artwork made out of fabric yo-yos. Yo-yo making workshops have been happening at the Library and elsewhere.

A poetry workshop
Jolyn Philips and Karin Schimke run a poetry workshop.

What have been some of the main challenges in getting the Library operational?

A: The challenges have been outweighed by the joy of having a home for the Library, especially at buzzing and creative Artscape. But it took a while – for a couple of years the books languished in plastic bags in a friend’s garage. Until we were donated the shelves, they burst out of boxes and the mobile tin unit – and even now they’re doubling up on shelves like refugees in an overcrowded tent. A big challenge was cataloguing them. Then a pair of winged libris angels came  along – Anna van der Riet and partner Ilse Arends rallied a team of retired librarians who corralled the titles into the Dewey system, dotted and stamped every one and add to the list with every fresh intake.  Phewy, thanka guys. Biggest challenge however is woman-power. Volunteers open up from 12-2 Thursdays and Fridays – for Story Cafes and other events or ‘by appointment’. Monday and Wednesdays mornings the Library is used for beauty therapy workshops. More volunteers mean more opening hours – and maybe, one day, lending facilities.

What has been the most rewarding moment of working on it?

Having people pop in and discover us. Hosting a Story Café workshop once, a woman got up and said ‘I’m so glad I bothered to get out of bed and come here today, it’s changed my life.’ I mean…!

Describe the library’s typical user.

Women of all ages, colours, backgrounds, beliefs and persuasions have been in an out of our Library. It kind of validates the Woman Zone mandate which is officially to “bring together all women from the Mother City’s cultural kaleidoscope. To get to know one another better, to share stories and experiences, work together, learn from each other – and above all to highlight and promote their past, present and future achievements, not their victimhood. Cape Town’s women are for unity.”

Are there enough women writers in SA? And if not, how can we change this?

How many is enough? Who knows. What we do know is not every woman is born to write a book, but every woman has a story. Our aim is to encourage as many as possible to share her story, through workshops or just by listening – for her own, or the benefit of others who may relate, learn and grow from it. If it gets written we will celebrate it. If it gets published we will launch it. We will always welcome it onto our shelves.

What’s your vision for the Library’s future?

To take the concept of sharing stories, spoken or in print,  into other communities around Cape Town. We call it “sistering”, a female form of “partnering”. We did it in 2014 – every month for the year we went to a different community from Muizenberg to Nyanga, Woodstock to Kuils River and in each,  listened to one woman tell her story. We recorded and transcribed them into our book (co-edited by myself and Carol du Toit, designed by  Lorraine de Villiers). We would like to do more sistering – so get in touch if it can work for your community. We would also like to become a lending Library – and like our inspirational sister, The Glasgow Women’s Library in Scotland, grow into a bigger and still bigger space to become a fully-fledged women’s centre with exhibition and archive space. Imagine that for the Mother City! Our other role model is the Women’s Library at the London School of Economics. Breathtaking in its scope. If ever you’re in London, do visit. Meanwhile, if ever in Cape Town and you’d like to visit our own Women’s Library, give us a call on 083 431 9986/082 490 6652 or mail info@womanzonect.co.za.

 

THE BOOKSELLER: Kate Rogan – Love Books

Kate Rogan

Kate Rogan is the owner of Love Books, a delightful independent bookshop in Melville, Johannesburg. Offering a wonderfully edited selection of fiction, non-fiction and children’s books, the space also frequently hosts lively launches.

The book you’re currently most excited about selling?

Impossible to answer, there is so much at this time of year. But Colson Whitehead’s Underground Railroad left me excited, bowled over, entertained and satisfied. The seamless integration of the slave story with the fantasy elements is remarkable and, love it or hate it, I feel confident that our customers will recognize its brilliance. Firepool by Hedley Twidle is a gem of a book. A collection of essays by a subtle, observant, self-deprecating mind that we are loving selling. And I cannot wait to start selling 100 Objects of the Boer War.

Which title gets shoplifted the most frequently?

Without a doubt, anything in the Jacana Pocket History series. We have hidden them, placed them on unreachable shelves, and still they go. So now we put dummy copies out and keep the sale copies in the office. Close second is Frantz Fanon’s The Wretched of the Earth. But shoplifting is not a big problem for us thankfully.

The biggest seller of the past year?

For sales outside of launches, it’s a wipe-out for Arundhati Roy’s The Ministry of Utmost Happiness. If we had to include launch sales, our biggest seller is Reflecting Rogue by Pumla Dineo-Gqola, by a long shot!

The most underwhelming book you’ve read in the last year?

It has to be Robert Seethaler’s A Whole Life. I must have read that dreary opening scene at least ten times until I finally got beyond it. It improved a bit after that, and I know it’s full of quiet and gentle universal truths, but my imagination was just not captured by the main character or the snowy scenery.

Which book do you wish all your customers would read?

Since we have customers from the age of 0 to 99, I am going to choose RJ Pallacio’s Wonder. It’s an extraordinary book with a huge heart that somehow speaks as powerfully to me as it did to my 9-year-old daughter.

The last thing you read that made you cry?

Is this allowed in a literary magazine? Me Before You by Jojo Moyes – because it was an emotionally charged read, and I, like everyone, was rooting for love to win. It didn’t, but it also did. I also suspect I cried because Jojo Moyes is a clever writer and that’s just what she wanted me to do!

Is there a book you’d never sell? If so, what is it, and why?

Anything by Steve Hofmeyr. He’s an obnoxious racist poser and I don’t want his stuff in my shop!

What’s the most surprising thing about your bookshop?

I love to quote from Mark Forsyth’s The Unknown Unknown: Bookshops and the delight of not getting what you wanted, where he quotes Donald Rumsfeld on the necessity of book shops: “There are things we know that we know. There are known unknowns. That is to say there are things that we now know we don’t know. But there are also unknown unknowns. There are things we do not know we don’t know.”

Rumsfeld was of course warming up for war in Iraq, but what I’m trying to say is that Love Books is full of wonderful, surprising books that you never knew you wanted. You will also meet bookseller Anna Joubert in the shop, and she is a wonderful surprise! She knows what you want before you do!

The three writers you admire the most?

Ivan Vladislavić because no one captures the soul of Joburg and its unique urban landscape like he does. And he is simply one of the best writers I know.

Maggie O’Farrell because I love writing that makes the ordinary extraordinary, and she deals with domestic themes in a most extraordinary way.

Alexandra Fuller, for the way she writes about Africa, and the power of her storytelling.

The biggest challenge you face in bookselling?

Balancing cash flow and stock levels. It’s a daily dance, and some days it’s beautiful and other days we’re tripping over ourselves!

Describe your archetypal customer

Someone who’s read (and understood) The Unknown Unknown.

The best part of being a bookseller?

Buying new books – I really love seeing the reps and get terribly excited about what’s coming. Meeting the most extraordinary people (Paul Beatty, Barbara Kingsolver and Helen MacDonald come to mind). Making a difference in our local community by bringing them fantastic launches and a great space to engage with books and the mind.

And the worst part?

Admin. There’s LOTS of it.

WORK/Life: Antjie Krog

Antjie Krog by Antonia Steyn

Antjie Krog is the author of the Alan Paton Award-winning Country of My Skull and A Change of Tongue. Her first poetry collection, Dogter van Jefta, was published when she was aged 18; other collections include Mede-wete / Synapse and The Stars say ‘tsau’. The English edition of Lady Anne, a collection first released in Afrikaans in 1989, was recently published by Human & Rousseau in collaboration with Bucknell University Press.

Krog has been an extraordinary Professor of Literature and Philosophy at the University of the Western Cape since 2004.

What does “writing” mean?

Writing, for me, means to attempt to say the unsayable.

Which books changed your life?

I don’t read books that do not change my life. I expect of every novel or poetry volume to shift something in me so that I am a different person by the end of it.

Your favourite fictional character?

Petrus in Disgrace and maybe a real character such as Teboho Raboko who shouts in his Sefela: “Hail you, fire-speckled giraffe, Hail you quinea fowl, with water tearing upwards from your head.” And in Afrikaans, a character by Eugene Marais: My vaal sussie Gampta, “al wat ek in die wêreld het, buiten my ou ouma.”

What are you working on at the moment?

I try to return to poems. Just single individual and not-thought-about poems.

Describe your workspace.

I write poetry, or the beginning of poems on my bed. They are reworked on paper until they move to the computer. I only got a “study” with a surface exclusively for a laptop and dictionaries when I was around 47-years-old.

The most important instrument you use?

Pencil. Sharp. HB. A4 paper and a Pelikan rubber. That’s for poetry. For non-fiction: laptop and a good chair.

What’s your most productive time of day?

Half-past-four in the morning, for non-fiction. Poetry is like a big shit. It comes when it wants. If you squeeze it back, it will be hard and dry. So you must have “endless” time…

What do you do when you’re stuck, or not feeling creative?

I once read that a writer’s block has to do with ego, so I work on the ego.

What’s the hardest thing about writing?

To sit down. To lift the pencil over the white empty page. To allow it to be a fishingrod lined into the unconscious, touching and lifting out shimmering fishes from below, fitted out to say what you try to say. The hardest thing about being a poet is that you don’t know when it will leave you – just one morning, and it’s gone, that heard-voice coming from you don’t know where. Gone. And as far as I can make out: it never returns.

What advice would you give to people starting out in a writing career?

I have no advice for younger poets in this technological age – coming from a time where the poem was what mattered, not the poet, her looks, her recipes, her relaxation methods, her self-doubt, his marriages, his Facebook page, agent or public utterances. That is why I didn’t answer some of your questions, those that I thought: jesus, what the fuck?

[Editor’s note: Those questions unanswered included “What do you dislike most about yourself?, “What are you afraid of?”, “What’s the best piece of advice you’ve been given?” and “How do you relax?”]

Lady Anne is published by Human & Rousseau.

Author photograph by Antonia Steyn.

WORK/LIFE: Fred Khumalo

Fred Khumalo

Fred Khumalo completed his MA in creative writing from Wits University with distinction and is the recipient of a Nieman Fellowship from Harvard University. His writing has appeared in various publications, including the Sunday Times, the Toronto Star, New African magazine, the Sowetan and Isolezwe. His books include Bitches Brew, Seven Steps to Heaven and Touch My Blood. His most recent book, Dancing the Death Drill, about the sinking of the SS Mendi troop ship during World War 1, was published earlier this year.

What does “writing” mean?

To paraphrase Emile Zola, writing, like any work of art, is a picture of the world, or a corner of it, distorted, coloured, arranged by the personality of the artist.

Which book changed your life?

Too many: Inkinsela yaseMgungundlovu by Sibusiso Nyembezi; Grapes of Wrath; Cry the Beloved Country; Things Fall Apart; and many others – each one of them opened a new window into the world, thus changing my life.

Your favourite fictional character?

Easy Rawlins (created by Walter Mosley for his detective series

What are you working on at the moment?

Working on a Zulu language version of the story of the sinking of the SS Mendi. Not a direct translation of Dancing the Death Drill, but a totally new book, featuring some of the Drill characters, but re-imagined from the perspective of another country, who happens to be Zulu speaking.

Describe your workspace.

It’s a five by four metre office on the west-wing of the top floor of my house. I have two huge windows – one which gives me a few of the neighbour’s yard, and the other which gives me the view of the street outside my house, including the townhouse complex opposite. In my office I have a bookshelf which contains CDs and mostly reference books for a project that I would be working on. These books change with each project.

The most important instrument you use?

My trusty old Lenovo, six years old now. And a pile of notebooks.

What’s your most productive time of day?

Mostly around 5 o’clock before everyone is up. And also around noon when they are all at school or work, and the auntie who cleans is not playing her irritating cellphone music. I can’t make her stop playing her music, cos I also play my music every now and then, for inspiration.

What do you do when you’re stuck, or not feeling creative?

I always make a point of working on more than one project at a time. When I am stick with my, say, fiction, I change gears and work on a piece of journalism or some other non-fiction. I don’t wait for inspiration. I write every day – even if it’s unpublishable rubbish.

How do you relax?

I listen to both live and recorded jazz, and other music. And I go out to friends – we have sessions with the ubiquitous brown and green bottles.

What’s the best piece of advice you’ve been given?

Don’t be modest, you’re not famous. Keep promoting your work and your interests.

Your favourite ritual?

Still in my pyjamas, I start my computer. While it’s booting I go and brush my teeth, then go downstairs to the kitchen to get coffee. By the time I get back to the office, the computer is ready. I start with my emails. Sometimes an idea is so pressing and compulsive I go straight to jotting it down, before I read my emails.

What’s the hardest thing about writing?

Finding enough time to turn the ideas I have into a piece of writing.

What do you dislike most about yourself?

I’m not a tough negotiator with publishers and editors (watch out, you scoundrels, I am working on that muscle).

What are you afraid of?

Waking up to discover I can’t write any longer. When Baruch Hirson, the historian of the South African left wing fell ill, he told his son Denis: “I cannot think if I cannot write”. That sums up my reality: I cannot think if I cannot write.

What advice would you give to people starting out in a writing career?

Read, read, and read across all genres. Also: try to write every day. The writing muscle, like the soccer-playing muscle, doesn’t grow of its own volition. It needs to be nurtured, to be pushed, sometimes. A successful writer is one who doesn’t wait for inspiration, I have found. DON’T BE AFRAID OF REJECTION. In the early stages of your career it is GUARANTEED. From editors, publishers, literary agents, and literary critics

What’s the thing you’re proudest of doing?

Having written Dancing the Death Drill – despite all the fears and concerns about how it might be received by both critics and readers.

Dancing the Death Drill is published by Umuzi.

Author photograph by Joanne Olivier ©.