The Johannesburg-based Nthikeng Mohlele is the author of four novels including The Scent of Bliss and Small Things; his most recent, Pleasure, was published by Picador Africa late last year. Mohlele was listed by Bloomsbury Publishing, the Hay Festival and the Rainbow Book Club as one of the 39 most promising authors under the age of 40 from sub-Saharan Africa and the diaspora.
What does “writing” mean?
Writing means artistic engagement with the universe through literary means. It is, in many ways, also immersed reading and reflection on life in its generalities and peculiarities, its grand themes and its minuscule irritants. It is quite possible and plausible that writing and authorship are also pedestals of civilised arrogance – the urge to play God, to create.
Which book changed your life?
I have come to realise that books cannot, strictly speaking, change my or a life. I think of life trajectories as set, unknown and often oppressively rigid things at times. Not even atom bombs can impose a “change” in a life. They can manufacture fear, maybe, but that is not the same as changing what people believe in. A book can nudge a reader into new experiences and ways of thinking and perceiving – but I am not sure that is sufficient to “change a life.”
Your favourite fictional character?
Michael K in Life and Times of Michael K.
What are you working on at the moment?
I am working on a novel.
Describe your workspace.
My workspace is my iPhone – 99.9% of the time. It’s a gadget designed by Apple in California and assembled in China. That implies that my writing spaces are many and varied, as long as I have a reasonably alert mind and my fingers are still attached to my hand.
The most important instrument you use?
An iPhone 5 and 6 S. Sometimes just my eyes and ears – if those qualify as instruments.
What’s your most productive time of day?
My writing is not governed by work schedules at all. My work impulse is like watching moving clouds. I have something to write when the clouds move – and nothing when they are still. By clouds I mean that much abused word: inspiration.
What do you do when you’re stuck, or not feeling creative?
I wait for the clouds to start moving again. They seldom resist for long spaces of time.
How do you relax?
Music on headphones. Guitar lessons. Reading. Pockets of time with family. Cooking. Long chats with my son, who is eleven this year. Long scenic drives.
Who and what has influenced your work?
The urge to interpret life and the world in my own terms. I owe a debt of gratitudes to musicians, exploited human beings and poets.
What’s the best piece of advice you’ve been given?
That came from the national Poet Laureate: “Write in such a way that nobody can shift a word or punctuation without messing up your work.” That was and is very empowering.
Your favourite ritual?
I am not a ritualistic person. I participate in social rituals that I found in the world – some of which have been going on for centuries. A night at the theatre – maybe.
What’s the hardest thing about writing?
Everything about writing is extremely hard. Absolutely everything. Intellectually, emotionally, physiologically. It is a lonely and demanding art. But it can be done.
What do you dislike most about yourself?
Being a perfectionist. The world is not wired like that – necessarily.
What are you afraid of?
What advice would you give to people starting out in a writing career?
None that is elaborate. Just work. Hard. And take advice and criticism.
What’s the thing you’re proudest of doing?
There are many. Of taking care of my aging mother is one of them. September 7 also marked one year of me having stopped eating meat. Vegetarianism purifies the soul in unexpected ways. Mind, body and soul also connect better – having stopped feeding on dead animals. Well, to a point.